Early history
The earliest illustrations were prehistoric cave paintings. Before
the invention of the printing press, books, such as Medieval illuminated
manuscripts, were hand-illustrated. Woodblock printing in Japan and China has
been used to illustrate printed books since the 8th century.
15th century through 18th century
During the 15th century, books illustrated with woodcut
illustrations became available. The main processes used for reproduction of
illustrations during the 16th and 17th centuries were engraving and etching. At
the end of the 18th century, lithography allowed even better illustrations to
be reproduced. The most notable illustrator of this epoch was William Blake who
rendered his illustrations in the medium of relief etching.
Early to mid 19th century
Notable figures of the early
century were John Leech, George
Cruikshank, Dickens' illustrator Hablot Knight Browne and, in France, Honoré
Daumier. The same illustrators contributed to satirical and straight-fiction
magazines, but in both cases the demand was for character-drawing that
encapsulated or caricatured social types and classes.
The British humorous magazine Punch, which was founded in 1841
riding on the earlier success of Cruikshank's Comic Almanac (1827–1840),
employed an uninterrupted run of high-quality comic illustrators, including Sir
John Tenniel, the Dalziel Brothers and Georges du Maurier, into the 20th
century. It chronicles the gradual shift in popular illustration from reliance
on caricature to sophisticated topical observations. These artists all trained
as conventional fine-artists, but achieved their reputations primarily as
illustrators. Punch and similar magazines such as the Parisian Le Voleur
realised that good illustrations sold as many copies as written content.
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Walter Ratterman, oil on Canvas, ca1927, Woman at a piano in elegant
interior.
Illustration for Good
Housekeeping magazine.
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Golden age of illustration
The American "golden age of illustration" lasted from
the 1880s until shortly after World War I (although the active career of
several later "golden age" illustrators went on for another few
decades). As in Europe a few decades earlier, newspapers, mass market
magazines, and illustrated books had become the dominant media of public
consumption. Improvements in printing technology freed illustrators to
experiment with color and new rendering techniques. A small group of
illustrators in this time became rich and famous. The imagery they created was
a portrait of American aspirations of the time.
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